Events

Living History and Experimental Archaeology Community Day

Come see what our students have been up to!

Location

Campus Police

Date & Time

July 2, 2026, 2:00 pm4:00 pm

Description

At our outdoor community day, students in Experimental Archaeology will be showing off their amazing research projects, including but not limited to an illuminated manuscript, a bronze sword, ancient ales, and hand-sewn garments. Try out Medieval replica musical instruments, hear what the students learned from their new skills, and try your own hand at spinning, weaving, and pen-making. 

Experimental Archaeology Community Day flier. July 2 from 2:00-4:00pm at the UMBC Community Garden. Images are drawings of various activities such as weaving and basketry and objects such as corn plants and Renaissance musical instruments.

Location

Performing Arts & Humanities Building

Date & Time

April 10, 2026, 11:30 amApr 12, 2026 12:00 pm

Description

Join Medieval and Early Modern Studies and the Music Department in welcoming to campus undergraduate researchers from across the United States and Canada as they present on Medieval, Renaissance, and Early Modern artifacts and ideas. 

Paper sessions will be held in the Music Box on Friday and Saturday, with Dr. Victoria McAlister, our keynote speaker, presenting at 4:00pm on Friday, April 10. 

Registration is free via the link on the website

We will present an immersive, 3-course Medieval Banquet on Saturday, April 11 at 6:00pm in the Dance Cube. Tickets will be available for purchase soon. 

A group field trip to the Walters Art museum is scheduled for the morning of Sunday, April 12.

Many thanks to the Arts+ initiative for their generous funding for this event!
Image gives the title of the conference, the date, the MEMS website, UMBC and MEMS titles written out, and the Arts+ logo. In the background are layers of Medieval manuscripts at varying transparencies. In the bottom left corner is a self-portrait image of Hildegard of Bingen, a nun, sitting at a writing tablet and looking up to the heavens.

Location

Performing Arts & Humanities Building

Date & Time

April 10, 2026, 11:30 amApr 12, 2026 12:00 pm

Description

Join MEMS faculty and students and the Music department in welcoming undergraduate researchers from all over the country and Canada as they present their work on Medieval, Renaissance, and Early Modern topics. We have a strong slate of presenters lined up! 

Click here to register to attend the conference (it's free!)

The culminating event of the weekend will be an immersive, 3-course Medieval banquet, planned and performed by an interdisciplinary arts ensemble course taught by Lindsay Johnson, James Magruder, and Jill Vasbinder. Tickets to this fantastic event will be available for purchase soon. 

This conference and banquet are made possible by a generous grant from the Arts+ initiative.

The Closeted, the Converted, and the Steadfast

UMBC Collegium Musicum in concert

Location

Performing Arts & Humanities Building : 151

Date & Time

April 25, 2025, 3:00 pm4:00 pm

Description

The Closeted, the Converted, and the Steadfast explores Early Modern European composers whose personal religious identities required complex political and social negotiations. The program features a diverse array of musicians: a secretly Jewish composer whose family “converted” and fled the Portuguese Inquisition, a Roman Catholic in Protestant England whose religious identity was an open secret, a famed Italian composer with special permission not to wear the Star of David that would proclaim his Jewishness, a German Lutheran educated by Catholic mentors, and a French Catholic composer drawn to the classical mythologies of Ancient Greece. Come hear their stories and listen to their music.



Admission is free, though tickets are required

Location

Information Technology/Engineering : 104

Date & Time

April 1, 2025, 4:00 pm5:30 pm

Description

We Were Here - The Untold History of Black Africans in Renaissance Europe, exhibited in the Central Pavilion directed by Adriano Pedrosa at the 60ᵗʰ International Art Exhibition of the Venice Biennale, sheds light on the overlooked presence of African and Black individuals in Renaissance Europe, highlighting their depiction in masterpieces by some of the era’s most celebrated artists. How did they come to Europe? Why were they portrayed? Were they truly all servants or slaves? If the Black faces portrayed in these Renaissance masterpieces could speak, what would they tell us?

The film runs approximately 60 minutes, followed by a Q&A with the filmmaker.


Fred Kudjo Kuwornu is a multi-hyphenate socially engaged artist, filmmaker and scholar whose work is deeply influenced by his background as a person of African descent. Born and raised in Italy, Kuwornu is based in New York. His unique background is reflected in his triple citizenship, holding Italian, Ghanaian, and U.S. passports. By consistently bridging the past and present, the hegemonic and subaltern, the seen and unseen, Kuwornu's practice emerges as a vital contribution to contemporary visual culture, understanding the complex interplay between history, identity, race, and representation in our globalized world. Kuwornu's curatorial vision can be understood as a form of historical remixing in which he reconfigures archival materials and contemporary narratives to enlighten a rethinking of perspectives. His works have been exhibited at prestigious venues including the Central Pavilion at the Venice Art Biennale (2024), Museum of Moving Image in New York, Library of Congress, Museum of Fine Arts, Houston, George Eastman Museum and numerous international film festivals.

More info: https://www.fredkuwornu.com and https://www.wewereherethefilm.com

Location

The Music Box : PAHB 151

Date & Time

March 12, 2025, 4:00 pm5:15 pm

Description

Beyond Queens and Captives: Women in Angola, 1500-1880s
 
This presentation problematizes the invisibility of women in West Central African history, specially in the pre-1850 period. It is based on my upcoming book, Beyond Queens and Captives, and covers a long period marked by change, including contact with Europeans, Portuguese conquest, expansion of the Atlantic slave trade, centralization of local states, growth of local forms of slavery, and transition to trade in natural resources. It ends with the so-called scramble for Africa in the 1880s, when European powers divided the African territories into colonies. In this study, and this presentation, African women are the main historical actors, as rulers, farmers, merchants, and healers. They played crucial productive and reproductive roles in West Central African societies. In this talk, I will examine some life stories to explore how internal and external factors led to profound transformations in West Central African societies.
 

Mariana P. Candido is the Winship Distinguished Research Professor of History and the director of the Institute of African Studies, at Emory University.
Dr. Candido is a specialist in West Central African history during the era of the transatlantic slave trade. Her books have received awards, including the 2023 African Studies Association Best Book Award in African Studies for Wealth, Land and Property in Angola: A History of Dispossession, Slavery and Inequality (Cambridge University Press, 2022). Her previous book, An African Slaving Port and the Atlantic World: Benguela and its Hinterland (Cambridge University Press, 2013); received an honorable mention / African Studies Association. She has also published Fronteras de Esclavización: Esclavitud, Comercio e Identidad en Benguela, 1780-1850 (Colegio de Mexico Press, 2011), translated into Portuguese Fronteras da Escravização (Universidade Katyavala Bwila, 2018). Candido has organized A Cultural History of Slavery and Human Trafficking in the Age of Empire (Bloomsbury, 2024); co-edited with Adam Jones, African Women in the Atlantic World. Property, Vulnerability and Mobility, 1680-1880 (James Currey, 2019); Carlos Liberato, Paul Lovejoy and Renée Soulodre-La France, Laços Atlânticos: África e africanos durante a era do comércio transatlântico de escravos (Museu Nacional da Escravatura/ Ministério da Cultura, 2017); and Crossing Memories: Slavery and African Diaspora, with Ana Lucia Araujo and Paul Lovejoy (African World Press, 2011). She has also authored more than 30 articles.
In 2022, Mariana Candido was elected a fellow of the Royal Historical Society, UK. She is the recipient of fellowships from the Arts and Humanities Research Council, UK; the Institute of Advanced Study at Princeton, the American Academy in Berlin, the American Council of Learned Societies, the American Philosophical Society, the Fundação Calouste Gulbenkian, and the Luso-American Foundation. Since 2016, Candido is one of the editors of the African Economic History and, since 2018, she serves as one of the five associate editors of the Oxford Encyclopedia Research of Slavery, Slave Trade and Diaspora
 
Instagram @maripcandido
Twitter @CandidoMarianaP
Facebook mariana.candido.58511

Meet & Greet

Dr. Mariana Candido - Author of Beyond Queens and Captives

Location

The Commons : Women's Center

Date & Time

March 12, 2025, 11:30 am1:00 pm

Description

We are excited to welcome Dr. Mariana Candido from Emory University, author of the forthcoming book, Beyond Queens and Captives.

Join us at the Women's Center for a meet and greet with Dr. Candido, and learn more about her fascinating research!

*Open for full participation by all individuals regardless of race, color, religion, sex, national origin, or any other protected category under applicable federal law, state law, and the University's nondiscrimination policy.

Food provided!  Sponsored by the Women's Center.

ACRONYM Concert at Shriver Hall

MEMS has student tickets and transportation!

Location

Off Campus

Date & Time

December 8, 2024, 4:00 pm9:00 pm

Description

On Sunday, December 8, Baroque band ACRONYM will be performing at Shriver Hall. MEMS has secured a block of free student tickets and reserved one of the CAHSS buses to transport students from UMBC to the concert. This is a fantastic opportunity to see an exciting group! Tickets are limited and first come, first served. Email Dr. Lindsay Johnson at lmjohnson@umbc.edu to reserve a student ticket and indicate if you plan to take the bus.

The bus will leave campus at 4pm and return around 8pm. The concert begins at 5:30pm and includes a 4:30pm pre-concert interview with the performers.

Location

Earl and Darielle Linehan Concert Hall

Date & Time

December 6, 2024, 1:15 pm3:00 pm

Description

Four members of the Baroque band ACRONYM will lead an open discussion and workshop with UMBC's Collegium Musicum. They will speak about their performance process, which begins with finding pieces in archives and ends in performance. As their website says, the group "is dedicated to giving modern primers of the wild instrumental music of the seventeenth century." Come listen and learn something new about 17th-century music!

Phat Phancies and other English Ditties

UMBC Collegium Musicum in concert

Location

The Music Box

Date & Time

November 22, 2024, 7:30 pm8:30 pm

Description

On Friday, November 22 at 7:30 in The Music Box, the Department of Music presents the UMBC Collegium Musicum in a concert entitled Phat Phancies and other English Ditties. The ensemble will perform a variety of short works in small consort groupings using viola da gamba, recorder, and drum.

UMBC Collegium Musicum is a performance ensemble dedicated to exploring and performing vocal and instrumental music from Medieval, Renaissance, and Baroque periods, sampling musical repertories created between 800 and 1750.